Tuesday, April 14, 2009

Bossing the Paint Around

Recently I posted a status on my FB account where I stated, "I'm gonna show that paint whose the boss." One of my friends commented back that he thought it was really the non-dual nature of painter/paint working together to co-create a painting. After much contemplation of his comment, I still stand by my original statement. "I am the boss of the paint." Anything less in my mind would say that the act of creating a painting is more about chance & luck. I do agree that there is an alchemy that takes place between the inspiration of the painter and the application/attitude of the paint, but to say unilaterally that the painter and the medium need to be one in my opinion, gives far too much power to the paint. 

Case in point. I am teaching a class at Kendall College of Art & Design and one of my students remarked that she was frustrated by not being able to "make the paint" do what she wanted it to. The frustration comes from a lack of "knowledge". Knowledge of the paint = time spent moving the paint around, observing what happens with different brushes, how the paint reacts in varying stages of drying (watercolor). I remember, especially when I was a less experienced painter, how often times the the materials would frustrate me as well. But painting is like anything else, in order to florish, it needs attention, it needs to be practiced. My advice to her may sound a little counter intuitive to my point, but in order to gain the "knowledge" of the paint she needed to let go and let the paint do what it wanted to do. Then, through the acts of observation, experimentation, & practice she gains the knowledge to "be the boss of the paint".

Saturday, April 4, 2009

Every Picture Has It's Own Story



So as the saying goes, every picture tells a story but sometimes the story is about the picture. Check this out. Copy and paste into your browser.
http://www.grandhaventribune.com/paid/302451206813239.bsp
Thanks to Becky Vargo of The Grand Haven Tribune for such a lovely story and pictures.

Thursday, March 26, 2009

Crazy Studio Games




Just a couple of quick gouache studies from Margo Burian's Home Studio Gouache Game. The game goes like this....when you have no time to paint, throw all your reference photos in a box. With eyes closed, grab a photo - any photo. What you get is what you get. No do overs. Start your countdown. Fifteen minutes, 2 brushes, 4 pencil lines and one blank piece of watercolor paper.

Reeds Lake Reclaimed Canvas

Yet another reclaimed canvas. 1/2 hour study - 6x12 canvas. Odd pleasure in making a painting that I wasn't fond of go away. Am way too pragmatic to throw the process pcs away - as evidenced in an earlier post. 

Wednesday, March 18, 2009

Plein Aire Class on Reed's Lake

When the great outdoors is your studio, the possibilities are endless!

I am excited to announce that two sessions of Plein Aire Painting for beginner to intermediate oil painters have been scheduled through the East Grand Rapids Parks and Recreation Department taught by yours truly! Session A begins Thursday, May 7th at 6:30 p.m., Session B will start on Friday, June 5 at 9:00 a.m.. Each session runs for 4 weeks in 3 hour blocks at sites on/near Reed's Lake. Cost per session is 99.00 for EGR Residents and 109.00 for non residents. In case of rain we'll be using the EGR Community Center's Painting Room located on the lake. Enrolled students will receive a discount on their supplies at T-Square Art Supply.

Topics covered include how to set up a "mobile" studio, the art of observation, capturing the essence of the landscape, as well as foundation techniques for oil painting.

Please contact East Grand Rapids Parks and Recreation to sign-up @ 616.949.1750.

Wednesday, February 11, 2009

The 10 Minute Oil

This little series of postcard oil paintings were done on Wallis sanded paper. And they are little - 4x6 to be exact. For me there is a beauty in working small sometimes, especially if I am under a time constraint and want to get into the studio. There's always a little wet paint on the palette and even with limited time there's something to be learned while painting. These small timed studies force the painter into quickly deciding what the "essence" is of the subject. There is no time to waver on color/mass or composition - you just put it down and go. 

Saturday, January 3, 2009

Like Crazy People, Only Saner



Seriously, you really do have to be a crazy person to stand out in 26 degree weather with a wind chill of 14 for 2 hours painting. Fortunately I have a friend who is exactly this kind of crazy person. Otherwise I'd be questioning my own sanity. The thing about Plein Aire painting in Michigan in January is that it's FUN. Seriously. Try dressing like the Michelin Man and then wielding fragile sticks of pastel with double-gloved hands trying to coax an image out of the frozen numbness of your frontal lobes! It would be so much easier to hang out in the relative comfort of the studio, but where is the living on the edge in that? Anyway, while the work produced in these cold alla prima sessions isn't likely to win any awards, its really the essence of the experience that matters here. Thats the icing (literally!) on the cake.

Monday, December 8, 2008

Sun on Sand and Snow - North Bar

Finally, the illustration projects are wrapped up for now and have had some time to get back in the studio. Am posting another 6x12 image in the canvas reclamation project. This is a study done for a larger painting (24x48) that I'll eventually be posting as well. 

Wednesday, November 12, 2008

Three Small Gouache

alla-la-la-la-la prima. 5 minutes x 3 = 15 min.; mix, decide, apply, finish. breathe.