Wednesday, September 23, 2009

Drawing in the Dunes





These 2 drawings are mixed media on toned paper. Sometimes painting on site can be a little prohibitive - especially if you're hiking your gear up to the top of Sleeping Bear Point (or any distance for that matter) without the benefit of a Sherpa. So in my quest to make things easier, i.e. Lighter, I stripped my painting kit down to the following items: half pans portable watercolor kit, 2 prismacolor pencils, Holbein oil pastels, 1 stiff brush, sm. jar Gamsol, water, birch drawing board, a couple of paper towels, and tape. The two drawings are a combination of everything in my kit. It's my intention to use these drawings as the basis for larger paintings done in the studio.

Rain at the Shoreline in August



Friday, June 5, 2009

Lilacs in the Rain

I am recently returned from 10 days in Glen Arbor. A few highlights - A Black Bear, the first one I've ever seen in the Sleeping Bear National Lakeshore and most fortunate for both of us that I didn't hit him with my car! Zucchini pancakes with feta, garlic, butter and a liberal helping of creative inspiration dished up by renaissance woman Cre Woodard. Painting and more inspiration in the form of a plein air session and studio visit with artist Carol Spaulding. Painting in the rain. Painting in the cold and painting in the wind.

Tuesday, May 19, 2009

2009 Festival of the Arts Regional Competition

Mantra I was accepted into Festival of the Arts Regional Competition. This plein aire painting was completed on location at the top of Sleeping Bear Point one year ago this week! This particular painting venture was orchestrated by friends and fellow painters Richard Kooyman & Melanie Parke. Rounding out the group was Beth Bricker, Margaret Tvedten and myself. Style points go to Margaret who carried a card table to the top of the point. Honestly I think she had no idea we were in for a hike! 

Monday, May 18, 2009

81st Muskegon Museum Of Art Regional Exhibition

Am happy to announce that this plein aire painting was recently accepted into the 81st Muskegon Museum of Art Regional Exhibition. This particular piece was painted last August on location at Kelderhouse Farm in the Sleeping Bear National Lakeshore. 

Wednesday, May 6, 2009

Tuesday, April 14, 2009

Bossing the Paint Around

Recently I posted a status on my FB account where I stated, "I'm gonna show that paint whose the boss." One of my friends commented back that he thought it was really the non-dual nature of painter/paint working together to co-create a painting. After much contemplation of his comment, I still stand by my original statement. "I am the boss of the paint." Anything less in my mind would say that the act of creating a painting is more about chance & luck. I do agree that there is an alchemy that takes place between the inspiration of the painter and the application/attitude of the paint, but to say unilaterally that the painter and the medium need to be one in my opinion, gives far too much power to the paint. 

Case in point. I am teaching a class at Kendall College of Art & Design and one of my students remarked that she was frustrated by not being able to "make the paint" do what she wanted it to. The frustration comes from a lack of "knowledge". Knowledge of the paint = time spent moving the paint around, observing what happens with different brushes, how the paint reacts in varying stages of drying (watercolor). I remember, especially when I was a less experienced painter, how often times the the materials would frustrate me as well. But painting is like anything else, in order to florish, it needs attention, it needs to be practiced. My advice to her may sound a little counter intuitive to my point, but in order to gain the "knowledge" of the paint she needed to let go and let the paint do what it wanted to do. Then, through the acts of observation, experimentation, & practice she gains the knowledge to "be the boss of the paint".

Saturday, April 4, 2009

Every Picture Has It's Own Story



So as the saying goes, every picture tells a story but sometimes the story is about the picture. Check this out. Copy and paste into your browser.
http://www.grandhaventribune.com/paid/302451206813239.bsp
Thanks to Becky Vargo of The Grand Haven Tribune for such a lovely story and pictures.

Thursday, March 26, 2009

Crazy Studio Games




Just a couple of quick gouache studies from Margo Burian's Home Studio Gouache Game. The game goes like this....when you have no time to paint, throw all your reference photos in a box. With eyes closed, grab a photo - any photo. What you get is what you get. No do overs. Start your countdown. Fifteen minutes, 2 brushes, 4 pencil lines and one blank piece of watercolor paper.